Visual Art And Videogame As The Origin Of New Digital Poetry Genres
DOI:
https://doi.org/10.31558/1815-3070.2021.41.22Keywords:
visual/video-and-audio/visual-and-audio poems; poems-videogames; interactivity; ludative nature; digital poetry; immersionAbstract
Modern technologies have not only helped modern people in their daily routine, but also evoked a new form of literature, basing on digital devices, written with their help or performed by them. Thus, digital literature and poetry in particular are more and more frequently becoming the object of linguistic interest.
References
Block, Friedrich. “Auf hoher See in der Turing-Galaxie. Visuelle Poesie und Hypermedia”. Text und Kritik. Visuelle Poesie. Ed. by Arnold, Heinz Ludwig. Sonderband Nr. 9 (1997): 51–64. Print.
Bolter, J. David. Writing Space: Computers, Hypertext, and the Remediation of Print. Routledge; 2nd edition, 2001. Print
Cramer, Floria “Warum es zuwenig interessante Netzdichtung gibt”. Netzliteratur, www.netzliteratur.net/cramer/karlsruher_thesen.html. Web. 2 Feb. 2021.
Fortuna, T.R. O Lugar do brincar na educação infantil. Revista Pátio Educação Infantil, ano IX, n.27, abr / jun. 2011 (2011): 11–15.
Funkhouser, C. T. Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995. University of Alabama Press, 2007. Print.
Funkhouser, C. T. New Directions in Digital Poetry. Bloomsbury Publishing, 2012. Print.
Huizinga, Johan. Homo Ludens: A Study of the Play-Element in Culture. Angelico Press, 2016. Print.
Landow, George. Hypertext: The Convergence of Contemporary Critical Theory and Technology. Johns Hopkins University Press, 1992. Print.
Nelson, J. Digital Oddities and Creatures. www.secrettechnology.com/about.html. Web. 12 Sept. 2020.
Nikitin, Ievheniy. “O kul'ture chteniya v sets. Setevyie chitateli i kritiki (About the culture of reading online. Web-readers and critics)” Setevaya slovesnost', www.netslova.ru/nikitin_e/o_kulture.html, 20.05.2003. Web. 2 Feb. 2021.
Pozharytska, O. “Computer Literature as a New Modus of the Readers’ Existence”. Science and Education : a New Dimension. Philology. IV (23). Issue 100 (2016): 27‒32.
Pozharytska, O. “Fanfiction as ludonarrative: fanwriters as gamers”. Science and Society. N 1. Vol. 1 (2017): 100-107.
Repantis, Kate. “Computer-Generated Poetry Liberates Readers, Attracts Coders” SLICE.MIT.EDU. (30 Apr. 2014), alum.mit.edu/slice/computer-generated-poetry-liberatesreaders-attracts-coders. Web. 8 Feb. 2021
Schmidt, Enrike “Bukval'naya (ne)dvyzhymost': Dyhytal'naya poezyya v RuLyNete. (Literal (Im)mobility: Digital poetry in RuLiNet)” Russian Literature LVII (2005): 423–440. Print.
Schmidt, Henrike. “Der Computer als “evokatorisches Objekt”. Sprachmaschinen und automatisierte Kommunikation in der russischen Netzliteratur.” Anzeiger für Slavische Philologie XXXI (2003): 33–62. Print.
Simanowski, Roberto. Interfictions. Vom Schreiben im Netz. Frankfurt am Main, 2002. Print.
Simanowski, Roberto. “Concrete poetry in analog and digital media.” dichtung-digital (2003), www.dichtung-digital.de/2003/parisconnection/concretepoetry.htm. Web. 7 Feb. 2021
Samokhina, V. O. Zhart u suchasnomu komunikatyvnomu prostori Velykoyi Brytaniyi i SShA: tekstual'nyy ta dyskursyvnyy aspekty. (Jokes in the modern communicative space of Great Britain and the USA) Diss. Kyiv Taras Shevchenko National U, 2010. Print.
