Conceptual Potential of Anthroponyms in George Gordon Byron’s Poetry
DOI:
https://doi.org/10.31558/1815-3070.2022.43.9Klíčová slova:
George Gordon Byron; anthropocentric artistic concepts; artistic conceptualization; poetry of English Romanticism; poetic discourseAbstrakt
Irrespective of the great number of researches dedicated to the creative heritage of George Gordon Byron, the essence and conceptual potential of anthroponyms in his poetry have not been the object of comprehensive analysis. The article is based on the assumption that the conceptual space of works of verbal art is a reflection of the author’s aesthetic experience of existential values and general development of aesthetic thinking of the ethnic community. The analysis of the system of Byron’s artistic representation of the dominant anthropocentric concepts extends the traditional view on «Byron images» and «Byronic hero» and allows establishing the features of artistic concepts actualization that determine the social parameters of the national universe.
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